The Very Late Afternoon of a Faun 1984 ( 4.8)

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

The Magpie in the Wisp 1991 ( 6.5)

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

Man in Outer Space 1962 ( 5.444)

An upholsterer who is preparing a rocket for takeoff accidentally jettisons himself into space and returns to Earth 500 years later with an alien companion who wishes to learn more about the human race.

Black Peter 1964 ( 6.7)

A few days in the life of a Czechoslovak teenager when he starts work.

Intimate Lighting 1965 ( 6.6)

A musician and his girlfriend visit an old musician friend of his and his family.

Pearls of the Deep 1966 ( 6)

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

The Smoke 1991 ( 6.7)

The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

Nahota na prodej 1993 ( 3.8)

Shortly after the Velvet Revolution, everyone becomes an entrepreneur. The fields of business vary. Whether they are legal forms or, on the contrary, organized crime. Young student Nancy arrives in Prague for an internship. She has Czech roots, which is why she chose Prague. Together with journalist Egon and former police officer, now private detective Poldou, they search for a kidnapped 16-year-old girl. Her father is desperate, and even the police are unable to help him. Their search leads them to a Roma gang of prostitution and pornography traffickers who will stop at nothing.

Let's All Sing Around 1991 ( 6.2)

A comedy on a typical children summer camp from the socialist time, telling the truth about it: combination of strange cynical leaders, absent-minded young assistants with complexes, teenage girls desperately in love with them etc. What a pioneer camp pretended to be and what it really was about. All this produces many embarrassing situations.

Dobří holubi se vracejí 1989 ( 8.3)

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

Veliká příležitost 1950 ( 3)

An optimistic collective drama from the life of the workers on the construction site of the Youth Track. An amnestied prisoner wants to atone for his wrongdoing with an honest strike and reveals the vandal who was going to poison the drinking water cistern.

Ve světě kolejí 1960

Prodaná nevěsta 1976

Set in a South Bohemian village, this faithful film version of Smetana’s opera follows farmer Krušina’s plan to marry his daughter Mařenka to wealthy Vašek. Mařenka loves Jeník, a stranger. Through matchmaking schemer Kecal’s plots and revealed identities, true love triumphs in a festive village wedding.

An Ambiguous Report About the End of the World 1997 ( 6.9)

Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.

Post Coitum 2004 ( 4.2)

This adult comedy looks at the complex, intermingled sexual relationships between a bunch of diverse characters - a barmaid, a part-time prostitute, a hippy, a rocker, a medical student and a confused virgin!

Král Ubu 1996 ( 7.8)

A cruel picture of the ways in which human beings acquire power and then cling to it. The story of Father Ubu, an idiot who climbs over the bodies of the dead to his royal post, is presented with a touch of the grotesque where naive comic elements meet black humor. Using a human touch, the film- makers were able to transform the original into a film aimed at a contemporary audience while remaining faithful to the vision of Father Ubu and Mother Ubu venturing everything in their efforts to seize power and mammon.