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Frankie Carr

Frankie Carr

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The Bellboy 1960 (6.2)

Stanley is a bellboy at the Fountainbleau Hotel in Miami Beach, where he performs his duties quietly and without a word to anyone. All he displays are facial expressions and a comedic slapstick style. And anything that can go wrong, does go wrong when Stanley is involved. One day, Jerry Lewis arrives at the hotel and some of the staff notice the striking resemblance.


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Jitter Bughouse 1948

A member of a band practicing for an upcoming commercial finds out from his girlfriend that she got a job as nurse to a rich but eccentric old man, Mr. Lark. Believing that music can cure those with mental problems, he and his band accompanies the nurse to Lark's mansion in order to "cure" him.


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I Surrender Dear 1948

Patty Nelson lands a job as a singer with orchestra leader Al Tyler, and tours with the band as "Patty Hart." Patty's father Russ is dismissed from his radio-station job, and the disc jockey selected to replace him is Al Tyler. Patty rushes home to keep Russ company on the air for the final few days, and Al wonders why she suddenly walked out on him. The new "Patty and Russ" radio show catches on, causing complications with Al and the radio-station bosses.


Frankie Carradona

Frankie Carradona

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Colin Jones: The End of Photography 2020

“It was while I was interrogating myself on the meaning of photography as art, especially in terms of photojournalism, that I met Colin Jones,” says Frankie Carradona, a London-based artist and visual storyteller. “Things often happen for a reason.” Born in London in 1936, Colin Jones had an unorthodox trajectory into photography. Coming from a working-class home in the East End and also training with the English National Ballet, Jones went on to become a documentary photographer for The Observer, alongside Magnum greats like Don McCullen and Ian Berry. During his career he also shot iconic portraits of British rock band The Who and musicians Mick Jagger and Pete Townsend.


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