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Jesús Franco

Jesús Franco

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Chimes at Midnight 1965 (7.144)

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.


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Vampyros Lesbos 1971 (5.7)

An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.


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Count Dracula 1970 (5.8)

Jess Franco's version of the Bram Stoker classic has Count Dracula as an old man who grows younger whenever he dines on the blood of young maidens.


Frank Van De Laar

Frank Van De Laar

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Do You Still? 2008

A beautiful homage both to Ernst Reijseger's music and genre ambiguity. This documentary tries, and mostly manages, to balance the picture by capturing private solo improv sessions, both indoors and outdoors, that display Reijseger's mastery over different colors and tones - with the same astounding technique and soulful commitment. Interspersed with beautiful country- and city-side footage that evokes his ever contemplative music, Do You Still? also features intimate and sometimes bitter-sweet statements by Reijseger on his early years, "career" choices, mannerisms, anxieties and shortcomings.


Frank De La

Frank De La

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The Bass That Ate Miami: The Foundation 2013 (10)

A documentary feature about the hip hop music sub genre Miami Bass. Weighing out the music's cultural impact, its influence on pop music, and being that it's one of the only music genres South Florida has a legitimate claim of origin to, it's extremely surprising that more people don't know this story. Bass music was never exclusive to the Miami region, but these musicians were the ones who put Miami's name on it and cultivated the exploitative image and party lifestyle that would become forever synonymous with the up-tempo Roland 808 synth boom. And while 2 Live Crew were the obvious champions, there was a stable of talented MCs, DJs, producers, label heads, and studio engineers whose pioneering contributions to the Miami sound have gone virtually undocumented until now.


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