N/A N/A ( 7.3)

Mañana es para siempre is a Mexican telenovela that began airing on October 20, 2008 on XEW-TV, also known as Canal de las Estrellas. It is produced by the Televisa television network and is a production of Nicandro Díaz González. It stars Silvia Navarro as "Fernanda Elizalde", Fernando Colunga as "Franco Santoro and Eduardo Juarez" and Lucero as "Bárbara Greco" the main villain of the story. Its was one of the most popular soap operas in the history of Univision, its finale having been watched by over 11 million viewers, faring well against US mainstream shows. It is a remake of the 2007–2008 Colombian telenovela by RCN Pura Sangre, which starred Rafael Novoa, Marcela Mar and Kathy Saenz in the antagonic role.

El padrecito 1964 ( 8.015)

Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.

N/A N/A ( 5)

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

The Lulú Club 2023 ( 5.583)

Racing against time, a Chilean dad and his friends embark on a mishap-filled adventure across the Andes to gain custody of a daughter he's never met.

N/A N/A ( 5)

Francisco Saavedra travels through different places of Chile, generally unknown, and showcase the locals' customs such as gastronomy, music, beliefs, among others.

N/A N/A ( 2)

Chico & Rita 2010 ( 7.175)

Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.

The Dancer and the Thief 2009 ( 5.6)

Present day. Chile. Legendary bank robber Vergara Grey is getting out of prison after 5 long years and is looking forward to a quiet, uneventful life together with his wife and son whom oddly he hasn't heard from in years. But soon his resolve is tested when he meets 19 year old Angel a young thief who insists the two join up to score the biggest heist of all time. Though tempted, he resists until he finds out that his beloved wife has gone off with a millionaire and his son wants to change his last name. Then Victoria, a graceful and mysteriously mute dancer living in a conservatory, steps into the picture. She captivates Vergara and Angel, as well as all others that cross her path, drastically changing their lives.

Sergio and Sergei 2018 ( 5.867)

In 1991, the USSR is falling apart and Cuba enters its hardest economic crisis. Sergio, a professor of Marxism who can't provide for his family, and Sergei, a Soviet cosmonaut stranded in the Mir space station, share a common passion: amateur radio. Through this hobby, both men will be able to help each other in facing the dramatic changes of their countries.

Maria da Vila Matilde 2023 ( 10)

The short is an adaptation of the song 'Maria da Vila Matilde' by Elza Soares. It follows the story of Maria, who married very young and lives in an abusive relationship without anyone knowing.

É tudo culpa do Augustinho! 2023 ( 10)

To prove the innocence of an unjustly accused student, a teacher begins an investigation at the school.

Esquecidos Presentes 2024 ( 10)

At his former teacher's wedding party, Fernando remeets old friends and loves, without knowing that the celebration holds much darker secrets than it seems.

Bastard 2010 ( 4.4)

This film explores what makes the unbelievable believable. When we hear a story that seems mysterious or far-fetched, we put more trust in its accuracy the longer ago it took place. As the centuries pass, the truth becomes more malleable. We grow less skeptical of what we might otherwise dismiss as incredible. Our perspective changes. This film addresses the eerie transformation of a familiar myth when displaced to the present.

Personal Narrative of a Journey to the Equinoctial Regions of the New Continent: José Lezama Lima, the hereafter thereafter 2011

To make a film about a poet, it is necessary to move away from all cinematographic purpose, all technical language, all aestheticizing intention; we should just think like him, in terms of image and animism, of arrow and spell. The film in question will then be a tree and every facet of his work a branch, the trunk his life. Thus this incipient metaphor will evolve in the form of the film, the body of the image is henceforth encircled by the cortex of sound, whose independent relief segregates its own layers of meaning, the cavities through which the silence of an army of ants searches for its center.