Francisca Duran is a Chilean-Canadian experimental media artist who creates films, video installation, and 2D, photo-based, mixed-media works about history, memory and violence.
Karina is 51 years old and is a regular trucker on the north route. Due to mechanical problems, he stops for the first time at "La Mamita" restaurant. The owner and cook of the restaurant, Marta, 63, welcomes her as kindly as any of her customers. However, the accidental discovery of a human hand in the garbage makes Karina see that all the stories this cook tells her are nothing more than a premonition of her destiny.
Absences and translations motivate this experimental animation in an exploration of the methods and materials of reproduction and inscription. The inquiry is set within a framework of practical and critical human relationships with other-than-human-species elucidated by the theorist Donna Haraway.
Full of lush shapes and vivid hues, this film loop was handcrafted using the techniques of phytography and optical printing. Raw visuals drawn from the artist’s garden over a period of two years bathe everything and everyone and confront us with silence. Vibrant leaf-prints, fingerprints, scratches and tape marks on celluloid work with the various phytographic offspring to evoke human entanglements with nature. With every touch of the hand or lamplight, these botanical image-traces are simultaneously illuminated and deteriorated.
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