The Mindscape of Alan Moore 2003 ( 6.7)

The Mindscape of Alan Moore is a psychedelic journey into one of the world's most powerful minds; chronicling the life and work of Alan Moore, author of several acclaimed graphic novels, including "From Hell," "Watchmen" and "V for Vendetta." It is the only feature film production on which Alan Moore has collaborated, with permission to use his work. Alan Moore presents the story of his development as an artist, starting with his childhood and working through to his comics career and impact on that medium, and his emerging interest in magic.

Eine ganz heiße Nummer 2.0 2019 ( 5.7)

Abgefahren 2004 ( 5.1)

Mia is dreaming of one day being the youngest driver in the Dakar Rally. She's pretty and loves the challenge. One day she gets to know the driving instructor Sherin, an exotic beauty of mid-twenties. She takes Mia to a secret car race out of town.

Antons Fest 2013 ( 5.5)

Eight people gather at a homestead in the middle of nowhere to celebrate a feast together. It is the family members and closest confidants of Anton, who fled from his life a few years ago, broke off all contacts and now unexpectedly invited to his 30th birthday. In joyful anticipation of the prodigal son, those left behind try the spirits of the past.

Umbra 2019 ( 7)

The film UMBRA deals with rare and common optical phenomena that occur in nature. These phenomena evoke familiar images such as shadows or reflections on a water surface; but also unusual ones like the "Brocken spectre" or the pinhole effect during a solar eclipse. These ancient and natural projections can be considered as precultural and independent of any apparatus. They occured even before mankind and are united by their intangible, ephemeral presence. In their immateriality and fragility, they are precursors of the cinema image. UMBRA develops a visual dialogue between phenomenon and apparatus, archetype and image, self and self-perception.

Still Life 2013

The film makers leave the classical nature film behind in order to explore new ways of conceptualising our understanding of nature and ourselves. A hitherto familiar environment develops strange characteristics and meanders between stagnation and movement, realism and hypnosis, naturalness and artificiality.

Kaltes Tal 2016

Oscillating between aesthetic and documentary forms, Kaltes Tal describes the daily business of a strip mine harvesting lime. The material removed is processed and returned to nature through forest liming. This measure attempts to counteract acid rain that troubles the forest floor. A cycle like a Mobius strip – an irreversible consequence due to the mining materials in order to restore the fragile natural balance. Lime dust delicately dusts the forest floor. A white, spherical alternative world opens, questioning our ambivalent relationship to nature.

N/A N/A ( 4.4)

Escape to Olganitz N/A

A film that investigates how, out of friendship and a shared passion, one of the most respected electronic music festivals in Europe could grow in the middle of the East German backwoods.

N/A N/A ( 4.4)

Last Year in Utopia 2019 ( 7)

Last Year in Utopia documents an experimental set-up: a staged group media experiment, isolated from the outside world, is reconstructed on the site where the original events unfolded. The boundaries between autonomy and heteronomy dissolve in new role assignments as the film makes the power structure behind the artificially created utopia visible.