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The 1975 Metropolitan Championship was, for River, more than the conquest of a title; it marked the end of an agony that required the efforts of historical figures of the club. In the midst of a political and economic crisis, the film documents the tensions and challenges that had to be overcome in order to achieve the yearned-for lap of honor.
The story follows Kevin, a young man classified as problematic due to his inability to control his impulses. After an incident, Kevin must attend therapy for teenagers, but his father refuses to accompany him. Don Andrés, his stepfather, assumes the role of companion, revealing a relationship that is more fraternal than paternal.
Chad is a fighter who seeks to be the best without losing his principles. In the search for his dream, he meets Vincent, a millionaire businessman who tries to fix Chad's fights so that he loses.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
