Edge of Tomorrow 2014 ( 7.632)

Major Bill Cage is an officer who has never seen a day of combat when he is unceremoniously demoted and dropped into combat. Cage is killed within minutes, managing to take an alpha alien down with him. He awakens back at the beginning of the same day and is forced to fight and die again... and again - as physical contact with the alien has thrown him into a time loop.

La danseuse de Siva 1911

Stacia Napierkowska (1886-1945) was one of the most successful of the many dancers who appeared onstage, in Paris and internationally, as Hindu priestesses, Esmeraldas, Greek nymphs and maenads, oriental harem favourites or Cambodian temple maidens. After her film debut in 1908, she quickly became a film star, first with Pathé and later with Film d’arte Italiana, creating her own roles in the manner of pantomimes; at the same time she continued her brilliant stage career. Napierkowska was an influential fashion leader, and her dark slender beauty certainly looks like the role model of Josette Andriot. La Danseuse de Siva (1911), a film by Albert Capellani deemed to be lost until recently, has been identified by Tamara Shvediuk in the collection of the Gosfil’mofonds. The print originally belonged to Sergey Ivanovich Osipov, a cinema owner and distributor.

Moderne Galathée 1911

The Christmas Tree 1969 ( 6.145)

A French-American millionaire, his girlfriend and his war buddy try to grant his dying son's every wish.

The Truth About Bebe Donge 1952 ( 7.117)

François Donge, a rich industrialist and womaniser, meets a girl nicknamed Bébé who he marries. Ten years later, poisoned by his wife and dying in hospital, he recalls his married life and understands how his wife who adored him suffered from his many affairs and indifference.

The Blonde from Peking 1967 ( 5.4)

Spies from several countries try to find out what secrets are hidden in the mind of a young amnesiac girl who has appeared in Paris.

English Lesson 1991

Take a lesson from hilarious "professor" Bernard Fernandes, as he teaches his audience to speak Trinidadian style English. Using typically Trinidadian humour, this work turns a few stereotypes upside down and questions what is "correct".