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Chu Feng-Kang

Chu Feng-Kang

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Shanghai Blues 1984 (7.2)

In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't know each other's name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.


Feng Kang Chu

Feng Kang Chu

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Terrorizers 1986 (7.386)

An uncompromising look into urban life from the eyes of a voyeuristic photographer, a rebellious teenager, and a married couple teetering on the edge of adultery.


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The Marvelous Kung Fu 1979 (5)

A troupe of comedians, including midgets, provide entertainment and kung fu trouble for the villains.


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The Time You Need a Friend 1985

John Woo's melodramatic tragicomedy The Time You Need a Friend (1985) stands at the crucial crossroads in the director's career. Woo had been churning out innocuous comedies for more than a few years, and after establishing the "heroic bloodshed" genre, he'd never look back. But this tale of two comedians - estranged former pals who bury the hatchet for one last show together - blends the pathos and male-bonding of Woo's later dramas with the silliness and pratfalls that marked his early works. At their peak, Ku Ren and Shem Bien were an unstoppable screen comedy team, the undisputed stars of the silent era. But a major falling out has kept the duo offstage for decades. Despite the urgings of family and friends, Ku and Shem refuse to reconcile. As both men approach their twilight years, one last chance for a reunion presents itself in the form of a televised charity benefit. Ku Ren and Shem Bien struggle to come to terms with years of bitterness, and bring the house down once again.


Chu Feng-Kang

Chu Feng-Kang

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N/A


Most Known for...

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The Heroes and the Bear 1988

In quiet campuses everywhere, incidents of kidnapping of school children occurred one after another. When the school was ordered to talk to parents about [binding], the society became uneasy and public opinion was in an uproar. Fang Hua, a popular stage star, raised her daughter Liyun independently due to a failed marriage. Liyun is very well-behaved, but because mother and daughter spend less time together and more separation, they are a family with flawed family relationships. Taxi driver Xiao Liao once bravely stopped a kidnapping case, but suffered heavy losses, which made him feel that it was difficult to be a good person in this society. Moreover, due to his own limited education, it is difficult to survive in this diverse society. The only comfort was his lover Xiulan.


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