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Farid José Tavares

Farid José Tavares

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São Paulo, Cinemacity 1994

Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.


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São Paulo: Symphony and Cacophony 1994

An ode of love and hatred to the city of São Paulo. Composed of fragments of films, it follows characters in their natural habitat: the streets.


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Distúrbio N/A

Interned in a psychiatric hospital, Miguel is pursued by voices from his past. During treatment, he relies on the friendship of a resident doctor to find a way out of it.


Farid Tavares

Farid Tavares

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Nobody Leaves Alive 2024 (7)

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.


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Dulcina 2019


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