N/A
Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.
On December 12, 1969, a bomb kills 17 people at the Piazza Fontana national bank in Milan, Italy, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but a lone prosecutor uncovers a conspiracy of far-right groups, corrupt secret services, and other interests that seek to undermine democracy.
A middle-aged writer is looking for a quiet retreat; a slightly younger female estate agent gives him details of a house a close to Venice.
Italian drummer.
Thrash veterans Annihilator grace Saturday’s Ronnie James Dio stage line-up to bridge the two-year gap since 2015’s ‘Suicide Society’ with a set crammed with timeless hits. Frontman Jeff Waters instantly commands with an energetic rendition of ‘King of the Kill’ leading relentlessly into ‘No Way Out’. There’s no room for filler on the Bloodstock stage, although this does appear to limit the draw for a crowd searching for a calmer afternoon before the evening’s hectic festivities – fans would expect a much more diverse set than this especially with fifteen albums under their bullet belts. That said, ’Set the World on Fire’ feels as authoritative as ever in the afternoon sun and ‘W.T.Y.D.’ charges its way toward the sea of banging heads in the arena. Of course as is now traditional for Annihilator, ‘Alison Hell’ introduces herself in the only grim way she knows how, but this set isn’t quite the unforgettable venture into the archives that it should have been.
