Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.
Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB. He and his friend steal a truck bound for Warsaw, where among the ruins of his former home he meets his prewar neighbor Krysia, instantly falls in love, and, after a brawl with a Russian officer at a dance in the surviving “Polonia” hotel, pretends to be a high-ranking UB colonel to save face.
Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.
