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This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
A tragicomedy set in wartime Germany. The protagonist is 16-year-old Bruno, who is considered by everyone to be an uneducated goofus. But he hates the people who mock him so much that he starts to eliminate them with precisely aimed missiles. What the Third Reich's most respected scientists can't decipher, he has intuitively cracked...
The story of four men who were arrested in a random raid on a small-town hotel during the Nazi occupation and taken to a school classroom. They don't know why or for how long. They are waiting for interrogation and, fearing possible accusation and punishment, try to prepare an alibi. Fear also affects their characters, which change under the stress, and eventually the one who is the fairest but softest of the two is insulted...
Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.
