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Eva Janoušková

Eva Janoušková

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Choking Hazard 2004 (4.9)

When self-help guru Dr. Reinis (Jaroslav Dusek) led his students on a retreat to ponder the meaning of life, he had no intention of leading them all to their doom. But when gut-munching zombie woodsmen emerge, the group finds itself locked in mortal battle. Alternately sickening and silly, this gruesomely hilarious Czech horror flick co-stars Jan Dolansky, Eva Nadazdyova, Anna Fialkova and Eva Janouskova.


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Grapes 2008 (6.525)

This unofficial Czech remake of Alexander Payne's blockbuster seriocomedy Sideways (2004) concerns Jirka and Honza, two friends who check in as complete opposites on every level; Honza is a polished urbanite, Jirka a nickel-and-dime crook with a flair for wooing women. The men's friendship is characterized by an unending series of wild schemes and escapades. When Honza learns of his grandfather's impending death, it brings him face-to-face with his own mortality and encourages him to fulfill his long-held dream, while he still has the opportunity: to embark on a dream vacation to the vineyards of Morovia, with buddy Jirka in tow.


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N/A N/A (6)

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.


Eva Štrougalová

Eva Štrougalová

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The Damned House of Hajn 1989 (6)

Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.


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Muka obraznosti 1990 (4)

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.


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The World Knows Nothing 1988 (3.5)

The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.


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