This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative strategies: In each of the eleven segments of this "electronic opera", different effects are used. Fascinated with the remarkable personality of infamous violinist Niccola Paganini and his complicated relationship to Hector Berlioz (played by artists Ernie Gusella and Robert Ashley, respectively), the author meditates over the intricacies of artistic geniality as connected not only with fame but also with the necessity of painful survival under the pressures of the art market.
What Under The Sun? is a private view of Mexico and it's history up to the present, loosely based on Bernal Diaz's account of Cortez's Conquest of the Aztecs. The work was initiated by a desire to apply electronic stream of consciousness techniques, as utilized in previous works, to a more specific topic, in this case Mexican history. The work is composed of six chapters, each conveying some aspect of Mexico's history or its psyche.
CONNECTICUT PAPOOSE is conceived a surrealist tract, with references to Lautremont, Tristan Tzara, Andre Breton and to surrealist images of sleeping and dreaming. Throughout the tape, unrelated images and ideas are juxtaposed as they might be in a surrealist painting by Magritte. The voice over operates as a kind of stream of consciousness guide through the underworld labyrinth of the human mind (with all its vicissitudes). Lines from poets are combined with skewed observations on contemporary culture. Performances of musical and artistic content coccur within abnormal contexts. Images and sounds themselves also distorted and manipulated by electronic processes to produce a distancing and alienation from reality.
