Empty landscapes from Korea and Vietnam evoke a tranquil existence in which a monster, an invisible enemy, is felt lurking beyond the frame. 'Scape' is comprised entirely of landscape footage shot by U.S. war cinematographers, depicting an existential environment of rolling hills and descending fog.
A hitman does one last job to get home before he deteriorates completely.
In between apartments and jobs, Evelyn goes back to her hometown to house-sit her late grandmother's place. While looking for work and struggling with the malaise of her present, she tries to reconnect with old friends and feelings. But when she receives phone calls from a mysterious yet familiar voice and her present becomes harder to face, she turns to her childhood for a way out.
