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Paulo Emílio Sales Gomes

Paulo Emílio Sales Gomes

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Cinema Novo 2016 (6.7)

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.


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Nitrato 1974 (5)

Nitrato expresses the ambiguities and contradictions of the Cinemateca Brasileira. The film deals with the richness of its collection, the recognition of international entities, and explores what its relationship to the general public was like. Nitrato also portrays the neglect with which the institution is treated, as seen in how precarious its building infrastructure is, how politicians neglected to communicate with the institution’s staff, and the aftermath of another fire in the building.


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Candango: Memoirs from a Festival 2020 (5)

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.


Emílio Gomes

Emílio Gomes

44 (1981-05-01)
Vila Nova de Gaia, Portugal


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N/A N/A (7)

Four inconsequential and bohemian friends want to write a television series. To do this, they create a game that will help them decide who will be the protagonist and who will also serve as their source of inspiration.


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Sefarad 2019 (7)

In 1496, King D. Manuel prohibited Judaism. 400 years later, Barros Basto, a Portuguese army captain converted to Judaism, and about twenty Jewish merchants founded the Jewish Community of Oporto, in the north of Portugal.


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