When Viola tries to restore a clay child with her father, a gift from a young Pasolini, she finds herself repairing an old wound. A small crack gives voice to a submerged dialogue.
Claudia works in the police as a forensic sketch artist. Her job is to give shape to people's identity. When Arianna, a young girl victim of attempted rape describes her attacker, Claudia sees her husband's face. The seed of doubt is planted in Claudia's heart and begins to sprout.
A couple in love meets to eat every afternoon. Miscommunication and displeasure begin to be the main ingredients of their menu, and the dishes they eat are the slow warning of inevitable decay. Every desire transforms in the time it takes for dinner to be ready. All that remains is to taste a frantic and exhausting dessert.
