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Elio Gagliardo

Elio Gagliardo

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Amour du Cinéma 1968

Defined as an ‘animated medley’ by its maker, the film is an animated photographic tribute to cinema through a gallery of stars from the silent era onward, alternating with more or less disorienting images of various origins. Through the widest range of techniques, recombined according to an associative logic that could evoke the cinema of the dada avant-garde, but also fashion magazines from the past, Amour du Cinéma is undoubtedly a singular film with pop overtones. —Tate Modern


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Hidden Spring 1969

An animated film using mixed techniques on the natural world and its metamorphoses, Primavera nascosta starts with a voyage in the tradition of abstract experimentalism, exploring sea creatures and then those of the air, only to digress towards heavenly space and astronauts, prior to the conclusion. —Tate Modern


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Notes from a Critofilm 1966

Reflections on the first films of Pier Paolo Pasolini with his considerations on the real language of cinema.


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