Eli Woods was an English actor, known for Mr. H Is Late, Little Dorrit and Spender. He was married to Pamela.
In the summer of 1947, Britain prepares to commemorate the wedding of Princess Elizabeth and Prince Phillip. To get around food-rationing laws, Dr. Charles Swaby, accountant Henry Allardyce and solicitor Frank Lockwood are fattening a black-market pig for the big day. Egged on by his wife, meek Gilbert Chilvers steals the swine, but the couple must conceal it from inspector Morris Wormold.
The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?
In Over the Garden Wall, a working class couple (Jimmy James and Norman Evans) are planning to give their only daughter and their new GI son-in-law a right Northern welcome. As always, though, riotous trouble starts to flare up when a young man starts to flirt with James and Evans's daughter!
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Jamie, an innocent pizza guy, awakens to find himself tied to a chair in the middle of a garage at the mercy of two suburban cultists.
An ambitious couple experiences a strange collision of romance and crime in a hotel bathroom.
Death is a stalker– a man who idles in a sinister black car across the street, forever. A psychological car chase, a moment of near violence, and finally, a face.