Elena Macheret

Elena Macheret

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Boris Godunov 1978 (2)

Universally acknowledged as the greatest of all Russian operas, this is a faithful and often dazzling production of the standard Rimsky-Korsakov version taped live at the Bolshoi in 1978. As Boris, the renowned Yevgeni Neterenko is as justifiably identified with the role in his generation as Chaliapin, London and Kipness were in theirs. Nesterenko gives a remarkably vivid, human portrait of the tormented half-crazed Tsar, and is supported by a first rate ensemble in a richly designed and costumed production that represents opera at its grandest. Particularly outstanding are Vladislav Piavko as the Pretender, Valery Yaroslavtsev as Pimen, Irina Arkhipova as Marina (a role generally associated with Vishnevskaya), Galina Kalinina as Xenia, and Alexsei Maslennikov as the Simpleton.
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Khovanshchina 1979 (1)

This performance, recorded live at the Bolshoi Opera in 1979, stars the great Russian bass Evgeny Nesterenko as Dosifei, the Old Believer at religious and psychological war with the new order, led by Prince Ivan Khovansky. The manipulative Khovansky is powerfully portrayed here by Alexander Vedernikov, another of the world’s greatest basses, little known outside of the Soviet Union. Marfa, one of Dosifei’s followers and a fortune teller, is sung by the legendary mezzo-soprano Irina Arkhipova in a performance of great authority and dignity. Russian opera at the Bolshoi is the genuine article and the remainder of the cast is equally impressive, from the mistrusting Prince Galitsyn of Evgeny Raikov to the clever, informing Shaklovity of Vladislav Romanovsky. The Bolshoi chorus and orchestra is conducted by Yuri Simonov.
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One Thousand and One Nights 1981

One day, returning from hunting to the palace, King Shakhriyar witnessed an unbridled orgy of courtiers, in the center of which was his beloved wife Nurida, who accepted the caresses of an insignificant slave. The deceived husband, the humiliated ruler, in front of the court, numb with horror, deals with his wife and comes to a terrible decision – to execute one young woman in the country every morning. Soon it is the turn of the vizier's daughter, the wise Scheherazade... Staged by the Academic Opera and Ballet Theater of Azerbaijan in 1981.