Movie Cosmos - LookupActor

Actor Eileen Walsh

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Small Things Like These 2024 ( 6.8)

In 1985, while working as a coal merchant to support his family, Bill Furlong discovers disturbing secrets kept by the local convent and uncovers truths of his own; forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church.

The Magdalene Sisters 2002 ( 7.425)

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

The Children Act 2018 ( 6.6)

In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.

Actor Eileen Walsh

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Formerly married to Lionel Jeffries, Eileen Walsh is an actress famous for her roles in 80s Liverpool-set films No Surrender and Letter To Brezhnev

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Letter to Brezhnev 1985 ( 6.438)

The factories, pubs, clubs, hotels and streets of 1980s Liverpool form the backdrop for this tale of love, friendship, sex and a letter to the Soviet leader, Leonid Brezhnev. Two Liverpool lasses, Teresa and Elaine meet two Russian sailors, Sergei and Peter and hook up for a night of fun and frolics. Teresa is looking for sex and a smile, Elaine wants love, romance and the dream of a life far away from the grime of the Liverpool docklands. A classic British romantic comedy filled with new wave tunes, 80s fashion, a little politics and a lot of heart.

No Surrender 1985 ( 6.5)

It's New Year's Eve in Thatcher's de-industrialising Britain. The scene is set at a seedy bar in Liverpool where a group of Irish Protestant and Irish Catholic pensioners will gather to clash and bash the new year in.

Actor Eileen Walsh

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Assholes: A Theory 2019 ( 4)

Some people grapple with the moral challenges of treating human beings decently. Others are just… assholes. Inspired by Aaron James’ New York Times bestseller of the same name, this documentary investigates the breeding grounds of contemporary ‘asshole culture’ — and locates signs of civility in an otherwise rude and nasty universe. Venturing into predominantly male domain, this film moves from Ivy League frat clubs to the bratty princedoms of Silicon Valley and the bear pits of international finance. Why do assholes thrive in certain environments? What explains their perverse appeal? And how do they keep getting elected?