Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.
Henri and Jeannette Milliard, a newly married couple from Normandy arrive in Paris where they intend to spend their honeymoon. Unforfunately a wicket gate in the metro separates the couple. In panic, Henri looks for his wife across the capital. He ends up finding her at the hotel they were to put up. But it looks as if Jeannette has gone through some distressing adventure.
Evanella, who writes the “Horoscope” section of a major newspaper, and her brother Méristo, create with the help of a young journalist, Jean Lassère and the capital of their uncle Amédée, a “Bureau des Prédictions”. Success being expected, they manage to obtain revelations about a gang of gangsters which they publish as predictions. It is success and fortune. Jean marries the newspaper director's daughter and Evanella the director himself.
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A cycle of timeless events and encounters are performed by mystic characters immersing the viewer into their world. With the aid of token items, two cryptic individuals navigate between parallel existences, living an astral projection, guided by each other’s truths. Sterile and hostile at first sight, each environment is populated by a series of tightly knit clans that will witness their rites of passage. Despite feelings of danger, care, seduction, and vulnerability, the two chameleonic figures take a leap of faith into the unknown: AMOR FATI
