In the year 2045, a Los Angeles Police Department detective and his new android partner enter the Zone, a forbidden section of the city plagued with an unknown disease. There, they discover the source of the illness and attempt to stop it using the android's advanced technology and weaponry.
Kirk Cameron just doesn't get kids, so now he's on a faith filled adventure to find out why they're always on their dang phones!
Three best friends are robbed of their unique invention the day before an important tech competition. They must work as a team to stop their invention from falling into the wrong hands.
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When Shannon is dumped at the altar, her single mother, Marla, suggests they take the planned honeymoon to a remote island resort together. Marla, a publisher of a top magazine, tells Shannon that the trip to paradise will make their relationship stronger, but she has ulterior motives: she needs a big interview to help her magazine, and the resort owner is the perfect catch.
Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.
