In the first day of liberation, partisan Meke enters the palace where the king used to live.
In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi
After Mato Gruda, a man living in a remote village in the mountains of Albania, steals a cannon abandoned by the German invaders he has to decide whether to use the weapon to support the Partisan resistance or to avenge his family.
