Douglas Dunning

Douglas Dunning

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Most Known for...

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Mad Cowgirl 2006 (4.5)

A woman, who is dying of a brain disorder, begins a surreal journey which descends into violence.
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Frogtown II 1992 (3.278)

In the sequel to Hell Comes to Frogtown, the Mutant-Frog leader of Frogtown kidnaps a professor and forces him to make a serum that will turn everyone into Frogs, they also kidnap some people to test the serum on. And courageous Sam Hell will have to save them.
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Caged Fury 1990 (4.012)

Kat arrives in Los Angeles to audition for movies. However, after meeting a sleazy producer, she and her new friend find themselves in a women's prison run by sadistic guards and a lesbian warden.
Douglas Dunn

Douglas Dunn

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Most Known for...

Movie Picture

Ploughman's Share 1979

When a farmer's land is wanted for a new town development, a lot of people find their lives put in the melting pot.
Douglas Dunn

Douglas Dunn

N/A

N/A

Most Known for...

Movie Picture

Making Dances: Seven Post-Modern Choreographers 1980

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
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Rubble Dance 1991

A film-dance, shot on 16mm film in Long Island City, Queens, NY.
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The Myth of Modern Dance 1990

Collaborating with choreographer Douglas Dunn, Atlas uses anthropological text, satirical movement, and vividly colored chroma-keyed backgrounds in an episodic, often humorous look at the evolution of modern dance.