Dmitri Korzhikhin

Dmitri Korzhikhin

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Most Known for...

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War and Peace, Part II: Natasha Rostova 1966 (7.1)

In the end of 1809, Natasha attends her first ball. Andrei falls in love with her and intends to marry her, but her father demands they wait. The prince travels abroad, and Natasha desperately longs for him. But she then meets Anatol Kuragin and forgets of Andrei. At the last minute, she regrets and abandons her plans to elope with Anatol. Bolkonsky hears of this and declares their betrothal is over. Pierre, trying to calm her down, suddenly announces he loves her.
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A Quiet Day at the End of the War 1970 (5.4)

As WWII comes to a close, a wounded Soviet soldier and a Kazak woman seek refuge in a church. In this holy place, they take time to rest and appreciate the beauty of their surroundings, as the interior of the building is lined with ornate works of art. A group of Nazi soldiers eventually disrupts this moment of peace, as they enter the church and defile the sacred works within. Undetected, the original occupants witness this atrocity and the proud Russian feels compelled to fight in an effort to preserve his country’s history.
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Beginning of an Unknown Era 1967 (5.4)

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.