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Five friends (representatives of the Fifties generation) now in their forties, get together after many years of silence. One shows up from jail, where he has been entering and exiting for years, the other comes from a series of "accidental" murders, another leaves his wife and kids, the fourth one is a wonderer, and the last one, the girl of the gang, comes from a lunatic asylum where she has been hiding for years... All of them are outcasts, tortured from barren love affairs, wounded from the deaths of their beloved friends and betrayed by the politics of their times. They hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in his own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.
In a suffering country somewhere in the near future, a community of misfits who live in a state of decadence and paranoia, tries to claim a decent life, fighting against an authoritarian oppressive regime.
Elias, a young man, spends a lot of time in front of the TV screen. In another part of the House, his partner Katerina sits in front of the computer screen for hours. Both absorbed in what they are doing have lost communication with each other and are not interested in what is happening around them. However, a sound heard from the other room momentarily takes Katerina out of her microcosm and forces her to communicate with Ilias. they finally manage to come to an agreement. The film was made in the context of the 5th Panorama Film School of the Aristotle University of Thessaloniki with the theme DEACTIVATION.
Freeman’s Homes begins in 2017, as Freddy takes up residence in the Fig House—an abandoned building in Thessaloniki, Greece. Over the next five years, he embarks on a long journey in search of a place he can truly call home.
