Michelle Parkerson

Michelle Parkerson

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Stormé: Lady of the Jewel Box 1991 (5)

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
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...But Then, She's Betty Carter 1980 (6)

This lively film is an unforgettable portrait of legendary vocalist Betty Carter, one of the greatest living exponents of jazz. Uncompromised by commercialism throughout her long career, she has forged alternative criteria for success — including founding her own recording company and raising her two sons as a single parent. Parkerson's special film captures Carter's musical genius, her paradoxical relationship with the public and her fierce dedication to personal and artistic independence.
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Odds and Ends 1993 (6)

In the year 2096, Black women warriors wage a vigilant battle against racial and gender annihilation. In this devastated universe, a fable unravels between interplanetary frontlines. Lieutenant Loz Wayard, a courageous young amazon, learns the price of passion when her beloved Sephra takes on the ultimate sacrifice for the struggle
Denise Joan Parker

Denise Joan Parker

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N/A N/A (6.7)

Burke's Law, a revival of the 1960s cop television series of the same name, aired on CBS from 1994 to 1995. The series centers on Amos Burke, a senior Los Angeles police officer and millionaire, and his son, Peter, who is a detective under his command.
Denise Parker

Denise Parker

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Pull My Daisy 1959 (6)

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.