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Dejan Petrović

Dejan Petrović

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Brasslands 2013 (6.7)

Half a million people descend upon a tiny Serbian village for the 50th anniversary of the world's largest trumpet festival. Brasslands chronicles the cultural and musical collisions through the personal journeys of 3 musicians - American, Serbian, Roma - whose lives are bound to Balkan brass for very different reasons.


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Why Did Dragan Gather His Band 2017

A self-taught Roma musician from a village called Beska in Serbia, Dragan Petrovic, together with his three underage sons founded a band, not only to make a living out of it, but to, first and foremost, keep his family together.On the way to their dreams, from playing by ear to reading music, this unusual ensemble will have to overcome many obstacles of life, and the oldest son, Radovan, will have the hardest task - he will have to leave his village, enroll at the music school in a big city and share his knowledge with his younger brothers, so that one day, all three of them could become professional musicians.


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Rock the Trumpet 2014

Pop culture obsessives writing for the pop culture obsessed.


Dejan Petrović

Dejan Petrović

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Most Known for...

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Montevideo, God Bless You! 2010 (6.633)

A story about one team that decides to follow a dream that takes them on a journey to the First World Football Championship in Montevideo, Uruguay in 1930. A dream that allows them to become true stars and living legends.


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Valley of the Rulers 2019

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.


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The Same 2017

The Same is a film that shows the everyday life of convicts and jailers in some of the biggest jails in Serbia by using it as a metaphor to present the loss of personal identity in modern society. This documentary compares a jail system to fixed social rules and raises questions about the relativity of human freedom.


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