Deborah Levy

Deborah Levy

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Hot Milk 2025 (6.093)

Rose and her daughter Sofia travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid.
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Swimming Home 2024 (5.4)

Joe and Isabel’s marriage is dying when Kitti, a naked stranger found floating in the pool at their holiday villa in Greece, is invited to stay. Kitti collects and eats poisonous plants, and Nina, their teenage daughter, is enthralled by her. What kind of relief can Kitti provide for this family in crisis?
Deborah Lévy

Deborah Lévy

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La revanche de Madame Beauchamp 1981

1980 Canadian film.
Deborah Levy

Deborah Levy

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Notes for les Sanglières 2021

Elsa Brès' "Notes for les Sanglières" imagines an alliance between wild boars and people grounded on concepts of boarcentrism, ecofeminism and forms of communal living. Shot in the area of the Cévennes, in the South of France, the video brings together ideas, experiments, field recordings and fiction tracks that sketch the common struggle of human and animal rights.
Ann Deborah Levy

Ann Deborah Levy

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WATER FALLS, New York City 2019

Water falling, flying, and flowing from New York City fountains echoes the moods and energy of the City. In this impressionistic, unconventional city symphony, the camera captures abstract paintings made by the falling water colored by the light it reflects and neighborhood life glimpsed through the ever-changing spaces between the streaming water as sounds of people, traffic, and the constantly falling water are heard.
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Watercolors 2007

The surface of a pond serves as a canvas on which nature creates a continually changing painting that mirrors but alters details of the landscape surrounding it. Beginning in the late winter, just before leaves appear on the trees, the film records the changes in weather, foliage, color, and light throughout a year. The images provide visual cues from which viewers can imagine their own sound tracks — a music of the sounds of wind and water. Yet, weather is not the only painter of this picture. A choice of black–and–white film for a passage of patterns on the ice evokes Chinese ink painting, and distorted reflections of architectural details and views through purposely out–of–focus trees inspire, in the imagination, paintings of what is not shown, but might be.