Debao Chen

Debao Chen

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N/A N/A (9.1)

Adapted from the classical 14th century novel of the same title by Luo Guanzhong, Romance of the Three Kingdoms is part historical, part legend, and part mythical – romanticises and dramatises the lives of feudal lords and their retainers, who tried to replace the dwindling Han dynasty or restore it. The focus is mainly on the three power blocs that emerged from the remnants of the Han dynasty, and would eventually form the three states of Cao Wei, Shu Han, and Eastern Wu.
Zhou Debao

Zhou Debao

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Song of a Songstress 1948

Starring in numerous singing films, Zhou Xuan was one of the most beloved singers in both cinema and recording industries for her 'golden voice'. Popular nightclub singer Zhu Lan (Zhou) is originally in love with impoverished painter Fang Zhiwei (Gu Yelu), but is taken advantage of by rich playboy Ye Chunhua (Wang Hao) at her most vulnerable time. To add to her misfortune, Zhu discovers her being an adoptee. She also learns the heartbreaking truth about her birth parents which intertwines with her own life across generations. Eventually, irreversible tragedy awaits with revenge exacted for past wrongs. In a case of art imitating life, the songstress's life and upbringing resemble Zhou Xuan's own, making the film even more heart-wrenching. The 'Song Fairy' Chen Gexin composed the film's entire music with six songs sung by Zhou. 'Song of a Songstress', sung towards the end of the film, adds poignancy to the film with its discourse on the joy and sorrow in life.
Debao An

Debao An

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Woman Demon Human 1987 (7.1)

The fictional life and career of a famous actress in Chinese opera, a woman who goes against tradition by specializing in playing male roles, especially that of Zhang Kui, a benevolent ghost who appears in several Chinese operas. Although the actress's career brings wealth and fame, it is attained only through considerable struggle against an anti-female system and an unhappy personal life.
Debao Zhen

Debao Zhen

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The Death of Mr. Fawkes 2024 (7)

A young woman, after her fiancée’s death, cannot understand her feelings about the socially-motivated engagement’s end. Parents apathetic, cousin overwhelmingly sympathetic, only a reemerging suitor’s advances allow her to understand— what she feels is grief.