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A gang of skilled misfits ventures to uncover a long-hidden Mayan treasure. Their strategy? Hazy. Their dynamic? Off. Luckily, they're pretty ingenious.
Inspired by films like “L’inconnu du lac” and “O Ornitólogo”, director Valentino R. Sandoli has created “Cruising,” a film that explores desire, erotism and flesh, using an almost voyeuristic style that mixes together with oneiric images that provides a metaphysic tone to the story. A man meets a group of young men while bathing in a lake at the end of summer, and he immediately falls for one of them, who seems to shine with his own light. He follows them into the woods, where he watches them as he finds them in different groups and sex scenes, until he arrives to the one he fell for.
While Andrea unfolds a labyrinth on the ground of her new home, Fran verifies that his efforts to recover the wisdom of the elder bear fruit and Flo plants a yew surrounded by friends. They made a strange decision: living in a town. However, they affirm that their posture is something normal. They say that it is the others who take unusual decisions and they are obligated to confront complicated challenges: like staying in a territory when not finding a rental house; like to keep organizing activities when the money the association was waiting for was used to buy designer ashtrays; like not manifestating when the corporations want to do fracking test in their region.
What happened to Lupita after the frustrated attempt to get into the dance battle? And what's up with Huo now, the dancer that Lupita idolized? What remains of that life-changing afternoon in Lupita's best friend memory?
