Home Turf addresses the content of cinema as an element of reality. It is what is real in the film, and yet it’s neither the characters – who stay as characters - nor the story, which is still a story, but the ideals, the ideas and the perceptions of the characters which are the reality.
Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.
The question of the film is: How to cherish? A drift follows. The visual shape of the film is as a contest between the framed images, the static images and those in flight. All my films start out as comedies...
