In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.
Incredible optical illusions in a story in a story in a story helps the surprised viewer finally to find out that he has been watching himself all along.
