We Call It Skweee 2009

In the beginning of 2008, the Italian filmmaker Iacopo Patierno arrived in Stockholm. During his stay in Sweden he got in touch with the Scandinavian electro style known as Skweee and some of its practicians. Active in the Neapolitan Dubstep scene, Iacopo became fascinated with the music as well as the determination and individuality of the artists involved. He decided to follow some of the central Skweee artists with his camera for a year. The trip went from the Stockholm suburbs over Helsinki, Finland and all the way to Spain and Barcelona's Sonar festival, where eight Swedish and Finnish artists had been invited to represent the scene. "We call it Skweee is a foreigner's view on a culture form that in many ways mirrors what I understand as typically Scandinavian", says Iacopo.

Dual: Herederos del pasado 2011 ( 6)

The Sergeant in the Snow 2007 ( 8.2)

Ligabue Sette Notti In Arena 2009 ( 6.8)

7 notti in Arena is the third live album by Luciano Ligabue. The album is a testament to audio and video of the concerts given by the Ligabue 25-27-28-30 -3-4 September and 1 October 2008 at the Arena di Verona (where has been recorded another DVD of the singer, Ligabue Arena in 1999), accompanied by the Orchestra of the Arena di Verona seventy elements, directed by Marco Sabiu.

Oylem Goylem 2004 ( 8)

Klezmer derives from the Hebrew words "Kley Zemer", which refer to the musical instruments (generally, the violin and stringed instruments in general and the clarinet) used to play the traditional music of Eastern European Jews from the XVIth century on. Moni's StageOrchestra is inspired by that music, by its constant change of tones and by the spirit which pervades it, from the sorrowful, monochord which revives the spirit of a synagogue prayer to the explosive joy of songs and dance music created for happier occasions. It is not a faithful reprise of klezmer music or a philological revisitation we propose here, but rather a free use, which maintains the climate and the imprint of several centuries of musical practice, born and developed in close proximity with the Polish, Czech and Byelorussian civilizations and enriched by a fertile exchange with the musical culture of that other diasporic population of Europe, the Gypsy people.

Donne e Donne 2020