Speedy, merciless and with plenty of black humor Gasman shows the picture of a man searching for his inner soul.
Minimal stories in a Belarusian village apparently indifferent to the popular uprisings in Minsk. The young director, who has left the country, defines them as 'choreographies of everyday life' in a film about 'rules that limit personal freedoms and at the same time ensure that the social organism works...'
