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Daniel Geiger

Daniel Geiger

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First Daughter and the Black Snake 2017 (5)

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.


Daniel J. Geiger

Daniel J. Geiger

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The Naked Man 1998 (4)

A man takes matters into his own hands when a pharmaceutical kingpin moves into his town to cause some real trouble.


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Herman U.S.A. 2001 (2)

In this quirky romantic comedy inspired by a true story, an influx of women invade the small town of Herman, Minn., to get their hands on a surplus of bachelors yearning for female companionship. When the persuasive "cry from the heart" of Herman's lonely men becomes a big-time news story, it unwittingly attracts a swarm of single women from 38 states and four different foreign countries, adding 1,500 residents to the tiny hamlet of 485.


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Snow 1998

It's midwinter in Minneapolis, and rock musician Thomas (Shane Barach) can't seem to commit to girlfriend Jessica (Lara Miklasevics). At a local coffee shop, he runs into Sabina (Rose Mailutha), whom he knows casually from the club scene, and a relationship develops. But responsibilities lurk in the background since he needs to find work, and she must take care of her young son. With a naturalistic style, filmed in 16mm black-and-white, the film recalls Shadows (1959) an independent films of the early '60s.


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