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Daniel Gärtner

Daniel Gärtner

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Gisela 2005 (5.2)

Gisela is a young wife and mother, living in a working class German Housing Scheme. She is a supermarket cashier, her husband a delivery driver. The marriage is stale but together they are working their way up into the middle class. George and Gisela evidently knew each other as teenagers. They live on the same scheme and George introduces her to his friend Paul. There is instant mutual attraction. Gisela spontaneously goes to a party that they invite her to that evening, where she and Paul begin a sexual relationship.


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Berlin am Meer 2007 (7.4)

Tom and Malte are best friends; they make music together, DJ in Berlin clubs, dream of a career together, party until they drop, wait tables at a casting service and yet they are very different: Tom struggles with himself, his life and the future. When one day Mavie, Mitsch's "little" sister from Munich, moves into the Berlin flat share, Tom's emotional rollercoaster begins. Daredevil Malte, on the other hand, seems to have his luck in his pocket: Everything he touches succeeds. Tom sees no other way out than to escape: out of the city and into another life. His friends try to stop him, but even they know: Tom has to make this decision himself if he doesn't want to stand in the way of his happiness forever.


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Liebste Prinzessin Leben 2009


Daniel Gartner

Daniel Gartner

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Magic in the Mountains 2021

Magic in the Mountains tells the remarkable underdog story of how Squaw Valley, a little-known ski area in California, won the bid for the 1960 Winter Olympics and, with the help of Walt Disney, changed forever the ways in which the Games were presented. The documentary features never-before-seen archival footage from the 1960 Olympic Games and revealing interviews with participating athletes and attendees. The 1960 edition of the Olympics introduced a substantial array of “firsts,” including such innovations as live broadcast, instant replay, sponsorships, and an official Olympic Village for the athletes. Perhaps most importantly, thanks to Disney’s involvement in producing the Games, Squaw Valley featured an unprecedented — but soon to be standard — level of pageantry for the opening and closing ceremonies.


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