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Daniel Burkhardt

Daniel Burkhardt

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Semiotics of the City 2020

Images of urban situations flicker past in quick succession. They are accompanied by computer-generated voices that list audiovisual details of the footage in alphabetical order. A close-meshed network of terms and categories is created whose object of representing the urbanity shown as completely as possible is successively taken ad absurdum.


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Migrants 2021

The video shows the evening return of tens of thousands of migratory birds to their roosts in a bay at a German-Dutch border region. In the montage, the theme of the border is transferred into a temporal grid: a cut is made every second. The editing draws a line from arrival to landing, from day to night and from an agricultural environment to a dystopian, post-industrial backdrop.


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Rauschen & Brausen I 2007

Skyscrapers rise up out of nothingness. Cars roar past, without even touching the ground. The whole picture is hanging in abeyance. A continuous zoom-out expands the view of the scene, crossing the space between near and far, fading from concrete to abstract, from tangible to intangible. The music meanders around the image, picking up on visual movements, following them for a while before breaking off and following its own rhythm. Beginning with pumping bass sounds, the tone rises continuously until finally becoming almost inaudible.


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