A retired archivist is annoyed and confused by a group of protestors who are angered by a mural inside the retirement home where he resides that glorifies colonialism.
As a small-town social worker investigates a commune headed by a spiritual leader calling himself Moses, she discovers a dead child, sadistic rituals, and ruthless mental and physical abuse.
Clara's mother is on her death bed as she tells her daughter that she regrets they are not closer. This revelation causes Clara to pursue a closer relationship with her own daughter, Bianca.
