N/A
Heartless parents C.L. Doyle and his wife take two of their older children, Rosebud & Joseph T. Doyle, on a family vacation to Alaska, but dump their younger ones, Freddy & Margaret Jean, in a Los Angeles foster home. Infuriated by this, Rosebud talks Joseph T. into running away with her so that they can break their younger siblings out of the system, which sparks a manhunt, and an outburst of sympathy among kids everywhere. [Wonderful World of Disney (1954), Season 24, Episode 17]
The true story of a nurse who spent her life caring for terminally ill patients.
A debt-ridden divorced mother and factory worker strives to get a higher-paying job on the traditionally all-male main assembly line.
A group of friends and zombie movie buffs have their life long dream come true. As their provisions run low, reality begins to set in and they realize that the zombie apocalypse isn't all it's cracked up to be.
Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar
