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The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
Amidst the complex Mexico City, a man drives a public transport bus during daytime and works the night shift impersonating Mexican songstresses in a drag cabaret.
When Paula leaves her mate Pedro, he misses her and looks for comfort with his best friends, Javier and Sonia. Paula is having an affair with Javier. Pedro tries to find who is the secret lover of Paula, and hires a private eye. Meanwhile, while comforting Pedro, Sonia has a one night stand with him and Javier thinks she is cheating on him with her lesbian friend Luzia.
