Summer of 2000. A young boy arrives at his grandparents’ home in a seaside village. Keeping him company during his carefree summer days, is the mysterious “witch”, a self-isolated elderly woman living in an old house on the beach. When one day the woman is no longer there, the boy will turn his gaze to the setting sun for the first time.
Four female voices interweave a polyphonic narration of the tragic story of “Katër i Radës,” the boat that sank in 1997 due to the naval blockade imposed by the Italian government on migration flows from Albania. The relatives of the victims that were amongst the first to die, in their attempt to cross the borders of “Fortress Europe,” sail along the Strait of Otranto following the route of the doomed ship only to pose the questions ignored by the media and the judicial authorities.
Athens. The city council announces the reconstruction of Omonoia, a rundown square at the heart of the capital. In the span of a few months, a streak of violent incidents break out around the square. Filming with a v-log camera, the director follows three inhabitants of the area, now threatened by the shadow of redevelopment.
