Colin Burnicle

Colin Burnicle

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The Circle 2017 (5.5)

A University professor takes four archaeology students on a field trip to a remote Scottish island. With tensions already present in the group, they unearth clues to an ancient mystery that will threaten their lives.
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Elf: The Musical 2017 (10)

West End star Ben Forster takes the role Will Ferrell made famous on the silver screen in this toe-tapping stage adaptation of the 2003 festive comedy. Staged at the Lowry in Salford, this family-friendly musical tells the story of Buddy, a young orphan child who crawls into Father Christmas's bag of gifts one year, and is accidentally whisked away to the North Pole, where the nonplussed elves raise him as one of their own. Years later, once Buddy has grown to adulthood, he returns to New York City to find his birth father and help the people of the Big Apple rediscover the true meaning of Christmas. Also starring Liz McClarnon, Louis Emerick, Joe McGann and Jessica Martin.
Colin Macdonald Burnie

Colin Macdonald Burnie

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Tolkien 2019 (6.944)

England, early 20th century. The future writer and philologist John Ronald Reuel Tolkien (1892-1973) and three of his schoolmates create a strong bond between them as they share the same passion for literature and art, a true fellowship that strengthens as they grow up, but the outbreak of World War I threatens to shatter it.
Colin Burns

Colin Burns

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Where There's a Will 1989 (5)

Charles Crow-Finch is a disorganised lawyer in debt; his son Rupert comes to bail him out. Rupert's girlfriend Cavatina buys Charles' practice and installs Rupert as the new boss.
Colin Burns

Colin Burns

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Perestroika: Reconstructed 2013

Re-mixes and extends Perestroika (2009) into two sequences. Sequence one constritutes the 2009 version, while the second sequence constructs a new framing narrative that reinterprets and reconfigures both the imagery and the experience of the first. Part psycho-geography, part dream and part environmental allegory.
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Perestroika 2009

Sarah Turner's film is a ghost story that explores what we forget and how we remember. The stunning imagery comes solely from the window of the Trans-Siberian train, shot first in 1987-8 and then again in 2007-8. The re-enactment of the journey is a memory work, a re-enactment of the past in the present through the process of filming. But the return journey is haunted by the voices of two dead friends that dominate the soundscape of the 'archive' footage.