Claudia von Alemann

Claudia von Alemann

82 (1943-03-23)
Seebach, Germany

Claudia von Alemann is a German film director and professor.

Most Known for...

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Blind Spot 1981 (5.1)

The young historian Elisabeth is traveling to Lyon on her own in order to explore the city tracing the life of Flora Tristan. Tristan, whose diary Elisabeth is carrying, was a 19th century socialist and feminist who influenced many contemporary activists and intellectuals yet fell into oblivion herself. Elisabeth tries to put together the clues she can find in Lyon wanting to reconstruct Tristan's life in the most sensual way.
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Bright Nights 1990 (7)

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)
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Das ist nur der Anfang - der Kampf geht weiter 1968

Claudia Alemann's film documents the general strike and student mass protests in Paris in 1968. As a participant in various film collectives, she also examines the role of the medium of film in times of political and social upheaval and the impact of changing cultural-political paradigms on artistic activity. Alemann allows workers, students, teachers and filmmakers to have their say.