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Claudia Aravena

Claudia Aravena

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Trauma 2017 (5.572)

Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.


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N/A N/A (6.5)

The life of a crazy family of Chilean middle class. Based on the original US comedy "Married... with Children" (1987-1997) but with local twists.


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N/A N/A (6)

Anthology series that deal with different stories of women, who must endure the abuses and injustices of life.


Flavia Claudia Aravena

Flavia Claudia Aravena

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We are Seeds, We are Community 2019

This documentary takes us on a journey to Chile where the cultural diversity is as big as the country itself, made up by a number of aboriginal and ethnical groups. Many of these people possess a unique knowledge about nature, tilling of the land and the symbiosis between all living organisms surrounding them. At the same time Chile is a country with rising financial, ecological and climate related issues, and capitalism cannot find a solution. Rather it’s making it worse.


Claudia Aravena Abughosh

Claudia Aravena Abughosh

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Largadistancia 1994

A woman receives a postcard from afar. The film is about distance as existence.


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Berlin: Been there / to be here 2000

Numerous filmmakers and video artists have attempted, with varying success, to produce visual representations of memories. The eye of memory does not see things in the same way as the physical eye, and many artists have come to regret this difference. Aravena Abughosh's attempt belongs to the category of successes. He has managed to account for the fragmentary and associative character of memory; for the vague emerging and dissolving of images, and even for the feelings that are so intrinsically linked to it.


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11 de Septiembre 2002

September 11, 1973, military coup in Chile. The video explores the transtextuality of memory, while at the same time implicitly criticizing the mass media and its representation of violence. The fissure between these two aspects, the tension between present memory and historical past, is the place from where the video is installed.


Claudia Aravena

Claudia Aravena

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Cuándo papá se va 2024

After years of estrangement, Francisca is forced to return home for her father's funeral, confronting a fractured family where family tensions come to the surface, leading Francisca to confront her guilt for abandoning her brother.


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