Claire Pijman

Claire Pijman

59 (1965-09-01)
Den Helder, Noord-Holland, Netherlands

Most Known for...

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Living the Light: Robby Müller 2018 (6.7)

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.
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My Father Takes Pictures 1997 (6)

Director Claire Pijman portrays her father Boy Pijman who was born in the Dutch East Indies. When his children ask, Boy Pijman tells his story that he had never spoken about before; his three years as a prisoner of war in Japanese Camp during the Second World War.
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Talking Guitars 2008

"Talking Guitars" is an intimate portrait of master guitar craftsman, Flip Scipio. The behind-the-scenes music-documentary illustrates the fascinating juxtaposition of the quiet artist and the world of musicians who seek his expertise. His clients include Jackson Browne, David Lindley, Ben Taylor, Paul Simon, David Tronzo, Leni Stern and Carly Simon. It is claimed that Flip "can make the worst piece of sh*t sing". For himself "Music is like Esperanto"; a universal language.
Claire Pijman NSC

Claire Pijman NSC

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Most Known for...

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Fishing Platform 2009 (4.8)

After his mothers death, 12-year-old Jaya (Iqbal S. Manurung) is sent to his father, Johar (Didi Petet), who works as a supervisor on a jermal (a fishing platform perched on log stilts in the middle of the sea). Johar is shocked, never knowing he has a son, and rejects the boy as his kin. Fully aware he cant bring Jaya back to land due to a dark past, Johar is forced to accept the boy as a worker on the site. Faced with constant rejection from his father and relentless bullying by the other boys who work on the jermal, Jaya decides to take fate into his own hands. He gives up hope on being accepted and learns the skills and attitude needed to survive on the jermal. Jaya increasingly becomes like the other boys: a tough, rough survivor; while Johar is forced to gradually face and accept his past. Eventually, both Johar and Jaya learn that they are bound by their past, united by the space in which they move, and connected by the inescapable truth.