Chun Meng

Chun Meng

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Hiroshima 28 1974

Filmed on the occasion of the 28th anniversary of the bombing of Hiroshima, Hiroshima 28 was the first all-Hong Kong crew to make a feature in Japan. Lung Kong anchors a bittersweet melodrama in the historical milieu in the months following the horrific events of August 6, 1945. Josephine Siao—a star whose career had become synonymous with the filmmaker’s work over the past decade—plays a young tour guide to a Hong Kong reporter researching the tragic effects of the atom bomb, their journey forming an odyssey through the city’s ruins.
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Pei Shih 1972

Lung Kong collaborated with accomplished novelist Meng Jun to pen the script for this tale of heartbreak and doomed romance. The mounting despair of two solipsistic characters headed towards an emotionally shattering break-up is depicted through an elliptical series of flashbacks.
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The Call Girls 1973

A story of female sex workers across all social strata.
Lien-Chun Meng

Lien-Chun Meng

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The Chinese Caper 1975

An American ex-patriot is on the run from the law. There's no place to run or hide. His only hope is a girl with strong ties to the Chinese Mafia. It's kill or be killed as danger and death lurk behind every corner and in China, there are a thousand ways to die.
Tsai Meng-chun

Tsai Meng-chun

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Archiving Time 2019

In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.
Horn Chun Meng

Horn Chun Meng

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A Fallen Fruit 2020

Thy, the young son of a cricket farmer, mourns his mother’s passing and faces the arrival of his father’s new bride and her daughter. The film is a portrait of a day in Thy’s world of silent grief and hopeful dreams painted over a canvas of rural Cambodia.