Christine Lucy Latimer is an interdisciplinary artist working with lens-based and time-based forms. She currently lives and works in Toronto, Canada.
VHS footage of a digitally scrambled cable TV kickboxing fight is transferred to 16mm B & W film negative and printed by hand. Digital interference foregrounds and destroys the representational action, creating a rhythmic, abstract tonal landscape.
A durational feedback-variation study using a found VHS banjo lesson cycled through a (mostly broken) betamax deck. A distorted hearkening to the various 'lessons' of youth combines with inquiries surrounding learning, training and the mastery of a medium. The project’s length and pacing simulates that of a childhood music lesson: 40 minutes that feel like a lifetime. (The project title is a notation taken from banjo music tablature, denoting that a C chord is played with fingers on the 2nd, open, 1st and 3rd frets of the instrument).
This film uses video footage captured from the surgeon’s microscope during Latimer's father’s laser eye surgery. The footage is transferred to16mm colour film negative, printed, edge-fogged and brown-toned. Clinical and impersonal video documentation transforms into an intimate hand-made celluloid exchange with Latimer's father’s watchful yet un-watching eye.